After the honeymoon, I now had to fight reality — I couldn’t keep living as some punk nobody forever.
Miyoung saw potential in me.
“Oppa! What can you actually do?”
“Me? Recording, guitar, drums, bass, um… watercolor?”
“Not that — is there anything you can do at an actual company?”
“I did web design up until last year.”
“Oh yeah? Anything else?”
“I know a bit of Flash too.”
“Oh yeah? That’ll do.”
From that day on, Miyoung started firing off resumes by the dozens, padding out my thin portfolio by quietly slipping in some of her own work.
I went around to interview after interview, and eventually a company near Hongdae called Elluo got in touch.
I interviewed and started working that same day — spent about a month building a full-Flash luxury apartment promotion site.
Pulled all-nighters every single day.
I’d only ever built menus before — this was my first time doing a whole full-Flash site, which was the trend back then, and collaborating with other people on that side of things felt awkward.
Then one day, while I was at the office, I got a call.
“Hi, this is Ahn Graphics — AG.”
“Sorry, An- an- what?”
“Ahn Graphics. You passed the resume screening, so come in for an interview.”
“Uh — uh — okay.”
What is this?
I called Miyoung.
“Miyoung, some place called An-something-graphics wants me to come in for an interview?”
“Wait, seriously?? Oh my god oh my god holy shit, oppa, you’re the best.”
“I have no idea what’s going on.”
“Just take a half day off tomorrow and go to that interview.”
“Uh — uh — okay.”
The next day I threw on a jacket and went for the interview at a building with
“AG”
on it, at the foot of a hill in Seongbuk-dong.
The neighborhood was really nice — and one I already knew.
Suyeon used to live there, and before that Hyeokchan-hyung and Jeongju-noona had rented some falling-apart house up on the hilltop there.
I knew Ssangdari truck-drivers’ diner well too, and Eommason Kalguksu looked familiar.
Interview room.
Wonseok-hyung, Changhee-hyung, and a row of other senior staff were sitting there, and while I was walking through my portfolio, I suddenly remembered a web scheduler prototype I’d been building that I’d forgotten to put in — and I wanted to show it to them.
It didn’t even have a domain yet and I couldn’t remember the address, so I asked for a moment, pulled up my email, and searched for it.
Everyone lost it.
I mean, there’s comedy, and then there was this.
I closed my portfolio slides and pulled up my inbox — and my sent folder came up right there on the giant interview-room projector, in full view.
“Applying for the ActionScript position — Lee Donghoon”
“Applying for the ActionScript position — Lee Donghoon”
“Applying for the ActionScript position — Lee Donghoon”
“Applying for the ActionScript position — Lee Donghoon”
“Applying for the ActionScript position — Lee Donghoon”
An entire page, wallpapered end to end with my own job application emails.
I scrambled to close the window, and of course the close button was nowhere to be found — total meltdown, stammering, panic.
“It’s fine, it’s fine. Take your time”
— everyone was barely holding back laughter.
Either way, I gave it everything I had, and a few days later they called asking when I could start.
Miyoung was over the moon — she said AG was the oldest, most prestigious agency in Korea, a place she’d tried to get into herself and always failed.
Later on, drinking with the senior staff, they told me the web scheduler I’d shown them at the very end had actually left a real impression.
AG brought me huge challenges.
Good content, good designers, good planners, a good environment — all of it lining up together, and I worked through countless projects there.
It was the first place that made stepping into the digital field actually feel worth doing.


