Once I had about ten songs, I decided to try recording them.
For drums, I had neither mics nor a multichannel mixer, so I tried doing it all in MIDI — installed Cakewalk (which I’d used before at Yeol’s place) and tested every drum MIDI sound I could find, but man, it all sounded way too mechanical.
I went browsing used drum machines at Nagwon Arcade and found a Roland R-8 with a pretty realistic acoustic drum sound I liked, so I bought it for something like 160,000 won.
It had pads built in, so I ran a metronome and played the basic beat by finger, then refined it bit by bit afterward.
I didn’t have a bass amp, so I recorded bass by running it direct through a SansAmp Bass Driver DI box I’d been using as an effects pedal; guitar went through a Line 6 POD, and for vocals I just used the SM57 I already had.
I had no idea how mixing or mastering actually worked, so I just did whatever sounded good to my ear — I remember losing whole days to it, completely lost in the fun without even noticing time pass.
I burned exactly 30 CDs, and for the cover I just photocopied a rough sketch I’d doodled on A4 paper.
Whatever the case, it was my first demo, my first actual finished thing. Since only 30 copies exist, I even indulged in the ridiculous fantasy that if we ever got as famous as Green Day, each copy might be worth a hundred million won.
Discipline: Music
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Demo2
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Demo1
After getting an early discharge from the army, I wrote some more songs.
There was a friend at school named Yeol — a total computer genius.
He was into music too, and we spent a lot of time together back then, copying Gary Moore licks and talking about some band called Rancid, that kind of thing.
One day I played him something I’d recorded, and he said,
“Hyung, don’t do it like that — come to my place, I’ll take care of it.”
Huh?
His studio apartment was on the 3rd floor, right across from the
“Underground Club”
in Hongdae.
He had three computers going and all kinds of music gear scattered around.
A few mouse clicks and one measure of a drum clip was done.
He copied and pasted it a dozen-plus times, dropped in a few fills between the verse and chorus, and the whole drum track was finished.
He opened a new bass channel underneath and recorded the bass.
I kept messing up and wanting to redo it, but he told me not to bother — just play through to the end and only redo the parts that were wrong.
I had no idea what was even happening, so I just did whatever he told me.
Guitar and vocals went the same way, done in a matter of hours, and just like that a demo existed.
What kind of new world was this?
I was floored — genuinely shook to my core — and the whole way home a thousand ideas and plans came flooding in.
The plan went straight into action.
I ran off to Yongsan and dropped over 2 million won.
A Pentium III, 256MB of RAM — graphics cards weren’t really a thing yet — and about 400,000–500,000 won went into a Hoontech sound card.
The problem was I was completely computer-illiterate at the time and had no idea what to do, so I wrestled with the stuff for days and nights, and Yeol would come over and pull all-nighters with me.
Back then, Windows 98 machines had terrible hardware compatibility, so I’d change an IRQ number, revert it, reboot — hundreds of times over — get the sound card recognized and the network would drop, that kind of thing.
I didn’t even know where the power switch was on a computer, and little by little I was falling down the path of becoming a full nerd.
I became totally confident that you didn’t need 100 million won worth of pro audio gear — just 2 million won could get you a home studio — and around the time a savings plan my mom had talked me into was a little over half-filled, that confidence is what pushed me to use it as collateral and take out a 20 million won loan.
Everything moved forward without a hitch after that.
I went around real estate offices near Hongdae hunting for a decent basement space, and ended up signing a lease on a place behind-behind-behind-behind President Kim Dae-jung’s private residence, down an alley by the train tracks.
My Donggyo-dong life began.
I was 23. -

Stereo
I was on leave from school, lounging around at home, and ended up writing a few songs.
I roughly recorded guitar and vocals onto an Aiwa cassette to check them out — hmm, not bad — feeling pretty full of myself, when I spotted an old silver stereo someone had thrown out on the street and picked it up.
Nothing was really broken; I swapped the fuse and it worked fine.
A double-deck unit, the kind of stereo that looked cool enough to show up in a hip-hop music video.
Then it occurred to me — I wanted to layer drums and bass on top of the guitar and vocals, which would normally mean buying a 4-track recorder, but I figured there was a way around it.
I put a blank tape in the stereo, hit record, and recorded a drum channel using the wardrobe as a kick drum and the desk as a snare — something like boom-tap, boom-boom-tap, on repeat.
Then I hit play, set the Aiwa cassette player in front of the stereo speakers, put in another blank tape, played the drums back through the stereo, and played bass along with it at the same time.
Since I couldn’t actually mix, I recorded while adjusting the Aiwa’s position and the bass volume by ear.
Now the Aiwa tape had a track with drums and bass on it.
I put that tape back into the stereo and overdubbed guitar and vocals the exact same way.
And, somehow, a demo tape of my very own — with drums, bass, guitar, and vocals all in it — was complete.
The sound quality was, well, muffled as hell, but who cares, I had fun. -
Half brothers
I met Bongguk in the same major at Hakshow.
We just clicked.
He was a pretty skilled skateboarder, actually had a name for himself in that scene, and thanks to him I got into skateboarding too, and got exposed to that whole side of music.
Not long before I went into the army, we started a band together, and it was genuinely great.
After I got an early discharge from the army, we got back in touch and made it official.
Jongwook-hyung joined on drums.
We were all in the studio watching a snowboarding video one day, and a song in the soundtrack titled
“Brothers from Different Mother”
inspired the band name — Half Brothers.
Within just a few months we’d written a dozen or so songs together and started making the rounds of Hongdae, auditioning wherever we could find a place to play.
There was a club near a subway station — could we play every Wednesday?
Pay was unlimited beer plus 5,000 won cash.
We played there with other bands for a few months, though honestly there were so few people there it felt embarrassing to even take that 5,000 won.
We’d just watch each other’s sets, cheer each other on, drink flat free beer, and hang around goofing off, then head back to the studio for a round of soju and talk through the night.Around then, Lee Sungwoo from No Brain reached out and asked if we wanted to join a label called Munhwasagidan (Culture Con Artists).
No reason on earth to say no.
Shows Munhwasagidan put on would still pull in around a hundred people — I got my first real taste of the thrill of being onstage, we started touring outside Seoul, and life took on that broke-but-somehow-vibey shape you’d expect from an indie band.
Then Jongwook-hyung went missing.
Seokyul — now the vocalist of Kingston Rudieska — moved to bass, and I moved to drums.
Later, Haewon (drummer from Beach Valley) joined on guitar, Myeonggwon joined too, and I moved back to bass.
We released a split single and kept going.
Right around when I would’ve called it smooth sailing, Rage Bone stole Haewon from us.
Bastards.
Genuinely, actual bastards.
No matter how powerless or unknown a band is, poaching someone else’s member like that makes you a bastard, full stop.
Anyway, I moved back to drums, but something wasn’t the same anymore — some kind of drive had drained out of me, and I just lost steam.They say everything comes down to timing. The band, which had been limping along in a half-hearted state for years by that point, suddenly got a jolt when Bongguk snapped out of it right around when I was getting married — he was suddenly thrashing to make it work for real. And, wouldn’t you know it, that was exactly when I became unable to meet that expectation.
Such is the life of a married man, hahaha.
Miyoung and Bongguk fought over it for a long stretch too. From Bongguk’s side, he felt like Miyoung had stolen me away; from Miyoung’s side, she felt like Bongguk had been the one hogging me.
The popularity of one man, hahaha.
It took the two of them more than ten years to patch things up, and around that same time I left the band.
I went through plenty of bands one way or another after that — some more fun, some more exciting, some more profound — but Half Brothers was, I don’t know, just me. Myself, distilled.This year, late summer 2026, Bongguk came to visit Australia with his best friend Eunbyeol. We’ve all gotten old.